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As he fights on, he begins to weaken from his asthma and is eventually beaten to death by Twister, as he refuses to concede and allow the man to insult his culture and people.

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El odio, la histeria de guerra, le asustó, como debía pasar.

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In his biography of Stanislavski, Jean Benedetti writes: "It has been suggested that Stanislavski deliberately played down the emotional aspects of acting because the woman in front of him was already over-emotional. What Stanislavski told Stella Adler was exactly what he had been telling his actors at home, what indeed he had advocated in his notes for Leonidov in the production plan for Othello." Stanislavski confirmed this emphasis in his discussions with Harold Clurman in late 1935.

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